The real war horse history
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I wanted to write the story of the universal suffering of that dreadful war, seen through the eyes of a horse.” I knew almost as I was listening to him that I had to tell the story of a farm horse that leaves our village in 1914, bought as a cavalry horse by the British army, that is captured by the Germans and winters on a French farm. He told me how he used to confide his worst fears, his deepest feelings, to his horse as he fed him at night. Up at the Duke of York I had met an old soldier who had been at the Front with the Devon Yeomanry, ‘with ’orses,’ he said. War Horse, the novel, is a children’s story created by Michael Morpurgo, who commented in an interview, “I had discovered that in the First World War a million horses had been killed-and that was only on our side. Eventually, the horse is lost in the bloody mélange of no-mans-land and both sides, German and British, declare a temporary truce to rescue the wounded animal. Through a tragic turn of events, Joey is cared for by an elderly French man and his granddaughter before once again being discovered by the Germans and used to transport artillery.
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Joey falls into the hands of two German soldiers, and thus begins an odyssey that is overly sentimental and highly improbable. The use of machineguns by the Germans in turn decimates the British and renders the cavalry charge obsolete. Falling behind on the rent, Ted sells Joey to an officer named Captain Nicholls (Tom Hiddleston), who promises Albert he will take care of his horse and some day return him.Ĭaptain Nicholls takes Joey to France, where he is part of a cavalry unit that will attack the Germans by surprise. Eventually war comes, and every able-bodied man is conscripted, as well as horses for the war effort. Ted’s son Albert (Jeremy Irvine) admires the horse, which he has named Joey, and devotes his time to training him to plowshare their field of turnips. The purchase is intended, in part, to spite Lyons (David Thewlis) the landlord of the farm, who earlier tried to outbid Ted for the horse. His wife Rose (Emily Watson) does not approve, noting the horse’s small size. Ted Narracott (Peter Mullan) purchases a young thoroughbred horse for the purposes of plowsharing on his modest farm. The story concerns a farmer and his family who reside in Devon, England before the start of the war. Such is the case with director Steven Spielberg’s latest film, War Horse. An artwork that merely uses imperialist war as a backdrop and accepts such a state of affairs as a given, and something that will not change, cannot offer any real insight or provide dramatic lessons to its audience. Millions of people in Britain and internationally began to see the old order-of kings and queens, the church, the military-as irrational and unjust, something to be swept away by means of revolution.Īny serious artistic treatment of World War I has to take this basic truth into consideration. Given the enormous carnage of the war, which was unprecedented to this point in world history, the notion of a “Pax Britannica” was dealt a blow from which it has never recovered. To this day, World War I remains Britain’s costliest conflict, despite the country’s entry into World War II and other colonial wars of the 20th century. Entire villages were decimated by the war and it was not uncommon for a family to lose all its sons. For every eight soldiers who went to the front, one would not return home. In the First World War, Britain lost approximately 887,000 men, nearly 2 percent of the population as a whole.